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Buscando Un Camino - Marcelo Noyola Conjunto Garza | Frontera Project

Buscando Un Camino
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Label Ideal
Catalog Number UN-6346
Recording Format Tape
Composer Puentes, Pedro
Genre Ranchera
Accompaniment Conjunto Garza
Subjects love, pain, despair, complaint
Performer Marcelo Noyola
Performer Listed on Media Marcelo Noyola
Composer Puentes, Pedro
Accompaniment Conjunto Garza
Recording Format Tape
Condition: E
Subject love, pain, despair, complaint
Track Number 3
Label Ideal
Country USA
Catalog Number UN-6346
Genre Ranchera
Staff Notes: Cut is not slated, as this is a prepared / edited Reel. Handwritten date on spine of Tape Box reads “3/5/63”. Cuts 1 & 2 have been removed from this Reel. This appears to be an unissued Track, and so I have assigned the Release # as “6346”, which is the Stamper Identification Number, along with the prefix “UN-”, strictly for cataloguing purposes. This Tape Box contains the manufacturing order / letter for release #’s 2049, as well as this unissued cut, along with a letter from Paco Betancourt to Mr. John M. Smith (from Universal Recorders), outlining his mastering instructions, as well as a critique of the previous “batch of Masters”. The letter is dated March 23, 1963, and also includes a list of 12 “Ideal Stereo Recordings”, listed by “Stamper Identification number”, which includes individual track information, in regards to instrumentation / vocal.
Transfer Date: Thursday, January 12, 2017
Donated By: Chris Strachwitz

Staff Notes

Cut is not slated, as this is a prepared / edited Reel. Handwritten date on spine of Tape Box reads “3/5/63”. Cuts 1 & 2 have been removed from this Reel. This appears to be an unissued Track, and so I have assigned the Release # as “6346”, which is the Stamper Identification Number, along with the prefix “UN-”, strictly for cataloguing purposes. This Tape Box contains the manufacturing order / letter for release #’s 2049, as well as this unissued cut, along with a letter from Paco Betancourt to Mr. John M. Smith (from Universal Recorders), outlining his mastering instructions, as well as a critique of the previous “batch of Masters”. The letter is dated March 23, 1963, and also includes a list of 12 “Ideal Stereo Recordings”, listed by “Stamper Identification number”, which includes individual track information, in regards to instrumentation / vocal.

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