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Vámonos - Conjunto Garza vocal: Marcelo Y Ramon | Frontera Project

Vámonos
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Label Ideal
Catalog Number UN-6347
Recording Format Tape
Composer Jiménez, José Alfredo
Genre Ranchera
Accompaniment vocal: Marcelo Y Ramon
Performer Conjunto Garza
Performer Listed on Media Conjunto Garza
Accompaniment vocal: Marcelo Y Ramon
Recording Format Tape
Condition: E
Subject love, declaration, complaint
Track Number 4
Label Ideal
Country USA
Catalog Number UN-6347
Genre Ranchera
Staff Notes: Cantan: Marcelo y Chon. Cut is not slated, as this is a prepared / edited Reel. Handwritten date on spine of Tape Box reads “3/5/63”. Cuts 1 & 2 have been removed from this Reel. This appears to be an unissued Track, and so I have assigned the Release # as “6347”, which is the Stamper Identification Number, along with the prefix “UN-”, strictly for cataloguing purposes. This Tape Box contains the manufacturing order / letter for release #’s 2049, as well as this unissued cut, along with a letter from Paco Betancourt to Mr. John M. Smith (from Universal Recorders), outlining his mastering instructions, as well as a critique of the previous “batch of Masters”. The letter is dated March 23, 1963, and also includes a list of 12 “Ideal Stereo Recordings”, listed by “Stamper Identification number”, which includes individual track information, in regards to instrumentation / vocal.
Transfer Date: Thursday, January 12, 2017
Donated By: Chris Strachwitz

Staff Notes

Cantan: Marcelo y Chon. Cut is not slated, as this is a prepared / edited Reel. Handwritten date on spine of Tape Box reads “3/5/63”. Cuts 1 & 2 have been removed from this Reel. This appears to be an unissued Track, and so I have assigned the Release # as “6347”, which is the Stamper Identification Number, along with the prefix “UN-”, strictly for cataloguing purposes. This Tape Box contains the manufacturing order / letter for release #’s 2049, as well as this unissued cut, along with a letter from Paco Betancourt to Mr. John M. Smith (from Universal Recorders), outlining his mastering instructions, as well as a critique of the previous “batch of Masters”. The letter is dated March 23, 1963, and also includes a list of 12 “Ideal Stereo Recordings”, listed by “Stamper Identification number”, which includes individual track information, in regards to instrumentation / vocal.

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