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Dionicio Maldonado - Timoteo Cantú Y Jesus Maya Con Accordion Y Bajo Sexto

Dionicio Maldonado

Cut is not slated as this is a prepared / edited Reel. I assigned the “Ideal Tape #” as “PC-1166”, simply for cataloguing purposes, by combining the prefix “PC-” (for Protection Copy) to the next chronological number, in the order which I have been using for all of these Tapes that do not have an actual “Ideal Tape #” written on them. Typewritten date on the “Tape Legend” which is secured to the front of the actual Tape Box says “6-6-67” for cuts 1 - 8, while cuts 9 - 10 have the date of “8-8-67, and for the final two cuts (11 - 12), the date stated says “8-28-67”. Cuts 9 - 10 are actually “FL” Release # 100-A/B, while cuts 11 - 12 are “Disco Garza” Release # 103-A/B. Tape Box states that the first 2 cuts (Ideal 2414-A/B) are “(from 78 RPM)”.

Full Track
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Audio excerpt
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Label Ideal
Catalog Number 2414-A
Recording Format Tape
Genre Corrido
Accompaniment Con Accordion Y Bajo Sexto
Subjects murder, male, valor, revenge, city
Performer Listed on Media Timoteo Cantu Y Jesus Maya
Accompaniment Con Accordion Y Bajo Sexto
Recording Format Tape
Condition: E
Subject murder, male, valor, revenge, city
Track Number 1
Label Ideal
Country USA
Catalog Number 2414-A
Genre Corrido
Staff Notes: Cut is not slated as this is a prepared / edited Reel. I assigned the “Ideal Tape #” as “PC-1166”, simply for cataloguing purposes, by combining the prefix “PC-” (for Protection Copy) to the next chronological number, in the order which I have been using for all of these Tapes that do not have an actual “Ideal Tape #” written on them. Typewritten date on the “Tape Legend” which is secured to the front of the actual Tape Box says “6-6-67” for cuts 1 - 8, while cuts 9 - 10 have the date of “8-8-67, and for the final two cuts (11 - 12), the date stated says “8-28-67”. Cuts 9 - 10 are actually “FL” Release # 100-A/B, while cuts 11 - 12 are “Disco Garza” Release # 103-A/B. Tape Box states that the first 2 cuts (Ideal 2414-A/B) are “(from 78 RPM)”.
Donated By: Chris Strachwitz

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